The most striking things we come to now are the cough and chest
troubles. There is expectoration in some of the coughs, but the cough
is usualy a constant, dry, hacking cough one of those troublesome
lingering coughs that has existed for years. It competes with Arg,
met, in its character of the dry, hacking cough, especially associated
with weakness, but Arg. met. has the cough in the day time, which is
not so in Alumina. The Alumina cough is in the morning. Here is
a symptom that about covers the Alumina cough : ‘'Cough soon after
waWng in the morning.” Every morning, a long attack of dry cough.
The cough is hard, a continued dry hacking, and she coughs until she
loses her breath and vomits, and loses the urine. This symptom commonly occurs in the woman. ‘‘Dry, hacking cough with frequent
sneezing.’’ It says in the text “from elongated uvula,” but it should
read “from sensation of elongated uvula.” It is a sensation as if
there were something tickling the throat ; a tickling as if the uvula
were hanging down a long distance, and he will tell you that his palate
must be too long. Another expression which is the same thing is
“cough from sensation as of loose skin hanging in throat.” Sometimes those who do not know about the palate will talk of something
loose in the throat, while those who know they have an uvula will generally call it the palate. But it is the same idea. Tickling in the
larynx, too. This is always quoted in singers. We would think of
Alumina when singers break down in the voice from paralysis or from
overwork of the voice. The voice lets down and becomes feeble, and,
when taking cold, there starts up a peculiar kind of tickling. Alumina
is very useful in these cases Arg, met, was the remedy used by the
earlier homoeopaths for singers and talkers with much tremhling and
letting down of the voice before the value of Alumina was known in
such conditions. Let me tell you something here about Rhus, as I may
not think of it again. Many old singers, after taking cold, have a
weakness left in the voice, which they notice on beginning to sing. On
beginning to sing the voice is weak and husky, but after using it a
little while it improves. Give Rhus to all these patients, prima donnas, lawyers, preachers, etc. They must warm up the voice and then
they are all right, but they s^y: “If I go back into the green room and
wait a little while, when I commence to sing again I am worse than
ever.” The voice Is better if they stay in a very hot room and keep it
in use. This fits into the general state of Rhus. There is a kind of
hoarseness that you may discover to be a little different from the paralytic hoarseness of Alumina and Arg. met. This hoarseness of which
I speak belongs to this same class of people ; on first beginning to use
the voice it seems that they must get rid of some mucus by clearing
the throat until the voice can get to work. The vocal cords on beginning to work are covered with mucus and on getting rid of it they can
do very good work, so long as they keep at it. That is Phosphorus,
In such cases the use of the voice becomes painful. The vocal cords
are painful after motion and the larynx is painful to touch. Sometimes this is so marked that it is like stabbing with a knife on trying
to use the voice. So we must individualize hoarseness very extensively. Homoeopathy is a matter of discrimination.